EDITING

Rebecca Gayle Howell is an award-winning editor, known for helping clients locate their stories, as well as their voice. For more than a decade, she has worked with large and small presses and magazines, as well as new writers, including chefs, photographers, farmers, musicians, and more. Her clients frequently maintain honors such as the NAACP Image Award, NPR Book of the Year, the MacArthur “Genius” Fellowship, the International Stack Award, and the James Beard Award.

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From 2014-2024, she served as the Poetry Editor of the Oxford American, the second in the magazine's history. During her tenure she curated a new profile of Southern poetics, helping the magazine earn honors like the National Magazine Award for General Excellence.

OXFORD AMERICAN

From 2014 - 2024, Rebecca Gayle Howell served as the Poetry Editor of Oxford American, the second in the magazine’s history. Supporting the work of three visionary Editors—Roger Hodge, Eliza Borné, and Danielle Jackson—Rebecca and her colleagues received honors like the National Magazine Award for General Excellence, the Julia Child Foundation Fellowship, the National Endowment for the Arts Fellowship, and the Whiting Award. 

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“Our thoughts and our dreams are born of our places, and our literature is at its healthiest when it welcomes diversity as nature’s highest intelligence and guide. As Poetry Editor for the Oxford American, I have kept this belief at the center of my work. It is my hope that I am leaving you, dear Readers, with an anthology of permissions. May we all sing the songs of our places in each our own way, and may we all be made more whole for the contrapuntal suite of it.” —Rebecca Gayle Howell, from her farewell letter. Published on Oxford American Now, August 16, 2024


Below is a rotating selection from Rebecca’s editing for Oxford American.

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ANTHOLOGIES

WHAT THINGS COST | an anthology for the people

Foreword Reviews INDIES GOLD Anthology of the Year
A Best Book of 2023, Ms. Magazine
A Best Anthology of 2023, Book Riot
A Best Anthology for 2023, Poets & Writers
A Best Summer Read for 2023, The Bitter Southerner
A Best Book for 2023, Southern Review of Books

All proceeds benefit the Poor People’s Campaign

“This galvanizing anthology of poetry and short prose highlights experiences of economic exploitation and finds common ground across the working class. The editors' introduction contextualizes the anthology within a larger labor movement inspired by the Poor People's Campaign popularized by Martin Luther King Jr. in 1968, which was reestablished in 2018 to prioritize the needs of the 140 million poor and low-income people in the U.S. Diverse perspectives capture individual struggles of the immigrants, nonwhite people, and impoverished workers who make society function, as in Sonia Guiñansaca's poem "America Runs on Immigrants," which concludes, "America screams Go Back To Your Country, Stop Stealing Our Jobs and simultaneously whines Where is my lunch?" Other poems, such as Curtis Bauer's "Dispatch Out of a Language I Used to Speak," illustrate how the body can be consumed in the mechanical processes of labor: "Stories of kids and men if not drowning in grain/ being caught in the center auger and the one outside/ knowing something was wrong before the corn/ stopped coming, by the corn turned red." Danez Smith puts it succinctly in their poem "C.R.E.A.M": "what cost more than being American and poor?" This is a memorable and timely book.”Publishers Weekly, starred review

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“This gorgeous anthology, What Things Cost, sets to singing the profound dignity of folk too far in the margins of our everyday consciousness. Here, in the figures and rhythms of poetry, one hears and feels both their nobility and disenfranchisement, yet, too, a mighty provocation of truth-telling in song that tilts the world toward parity and justice.”—Major Jackson, poet and professor of English at Vanderbilt University

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“I just left a union meeting in Franklin, Pennsylvania, where Ironworkers were thanking the rest of the labor movement for supporting them during a recent strike. At the core of solidarity is a mix of kindness and courage, rooted in shared vulnerability. And that's exactly what I feel when I read What Things Cost. The stories, confessions, elegies, and authenticities in this book transcend generations and demographics, and feel just as familiar here in Franklin, Pennsylvania, as they will in every corner of every community where work happens.”Stephen Cousins, National Field Director for the AFL-CIO

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“My parents believed so deeply that if they worked hard enough, they would succeed. That’s not always the case.”—Listen to The Poetry Off the Shelf interview

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“Damn, I cannot shake this book. Traversing an awe-inspiring kaleidoscope of aesthetics and perspectives, What Things Cost is a vital, heartbreaking, and finely curated investigation of the cost of physical and spiritual commodification.”William Johnson, PEN Across America Program Director, PEN America

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"Taken together, these poems ask us to consider what work means to us, what work has done to us, how our bodies and minds have labored—for what, for whom? This anthology arrives in time to remind us, as Jones and Howell write, "Wealth does not have to be generated by suffering. It does not have to be this way." Katherine Webb-Hehn, Scalawag Magazine

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What Things Cost offers a hard-earned generosity of spirit, reflecting the sheer enormity of the working poor's contribution to everyone's lives. From the authors' diversity of experience and seemingly endless variety of aesthetic and formal expression, we recognize all that's made possible by the persistent, thrumming pulse of the world at work."—Emily Choate, Chapter 16 & reprinted in Chattanooga Times Free Press

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“The people are more powerful than any construct or any hallowed hall or even the pen that signs our existence out of law. This book reminded me that none of us are alone if we decide we are together.”—Read The Rumpus interview

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“Work.” “Cost.” “Things”. In the book, these ideas are expansive, guided by the work we received and by our own intention to liberate this anthology from any sort of oppressive or restrictive mindset. bell hooks teaches us to understand the intersectionality of labor. In her words, “the white-supremacist capitalist patriarchy” works to oppress and restrict us all, even on the page, and this anthology asks the page to galvanize us into a different force of sharing.”Read The Tupelo Quarterly interview

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